Today’s band, the English guy-girl duo Slow Club, dips from modern Indie-Pop back to 60s/70s-era Motown for their new release, Complete Surrender. First we take a trip through the album, and then, as per the present case of genre-meshing, we take another trip a through a thesis: “Pop music looks toward the future while Indie looks to the past.” Any validity? That’s today’s question. (Opinions & comments encouraged.)
Next week’s review:
The Once by The Once
Guest: Molly Herbert Wilson
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