Today we’re surveying the front lines of musical sensibilities. Avant garde singer, pianist, composer, and painter Diamanda Galás isn’t your everyday rom-com soprano. With a voice that’s been known to induce fear in a single note, bolstered by a three-and-a-half octave range, Diamanda’s followers range from fringe jazz cats to left field metalheads. Let’s let the work speak for itself; in this case, the work consists of peculiar re-workings of traditional jazz tunes… with a couple of surprises as well. The album is called All the Way, borrowed from its titular track, a cover of the familiar Frank Sinatra tune. Follow the originals with the provided playlist! We’ll explain them as we go. Also stick around for a discussion on the necessity of surveying all sides of the spectrum—good/bad, ugly/beautiful, moral/immoral—for only then do we have sufficient context for passing judgement.
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Next week’s review:
Humanz by Gorillaz