He’s here. He’s in your ears. Highly exalted and frequently referenced, he is: SCHAFFER THE DARKLORD. Yes, today we welcome the talented Hip Hop artist and third & final component of the EPIC PIEcast to our very own show. Schaffer, who has consistently regaled his fans with macabre subjects, nerdy adventures, and cerebral excursions, now takes a tip from the latter as he joins us to discuss a vital influence in his work, the 1992 Beastie Boys LP, Check Your Head. Let’s help to turn the tables on it! Then we cut to an special “away”-interview where Schaffer explores Schaffer, with a little help from Matt. And do keep your ears open for some tastes of Schaffer’s work, including a track from his provocative album Sick Passenger, a track from Remix Passenger, and something terribly appropriate to close us out.
If you’ve never heard an interview from a gondola lift before, now’s your chance! The Indie rapper/rocker Coolzey took some time out of his sky-high excursions to speak with Matt about his current musical endeavors. Having released his latest album Hit Factory, Coolzey now also has two new music videos to promote: “Want It The Most” and “Glasses.” The latter features his fellow rapper and touring mate, Schaffer the Darklord, who accompanied him on the Fam Fiction Tour along with MegaRan and Fresh Kils & Uncle Fester. Listen in for discussions on nature, horror flicks, and of course for the gondola portion as this guest is surely taking interviews to new heights.
For the second installment of Autographs, Matt had the chance to chat with Tribe One, solo nerdcore rapper and core member of Malibu Shark Attack! This month’s tour will not only promote the latter’s self-titled debut, but also his upcoming solo EP, Crisis on Intimate Earths. In this interview, you can expect such diverse proddings as ranging from cards, to comics, to anime, and of course, the lowdown on Tribe One’s artistic origins. You can find tour dates and other info at Tribe One.
This week we’re happily obliged to thank Dae Rak Lee for our fan-picked album review: Old Boy Jon by the Korean-American rapper, Dumbfoundead (DFD). Then stick around while we prod the concept of credibility (or “cred”) in music. When might it be over, or under-emphasized, and what is its bearing on other artists, on music moguls, and most importantly, on the fans?
In the mood for some satirical gibberish? Who isn’t. That’s why we’re pushing forward with more reviews of comedy music albums. This week we chose The Wack Album by The Lonely Island (the comedy Hip-Hop troupe composed of former SNL staff & cast members, Akiva Schaffer, Andy Samberg, and Jorma Taccone). Then stick around for a brief intro to the use of satire in art. Conversely, stay tuned for a future discussion on the use of music to a comedic end.
To close off the year, we thought we’d take a little stroll through the Billboard 200 and see what all the fuss is about. So when we heard that one of the world’s top-selling artists just released a “surprise” album slated to top the charts without any marketing or hype, our choice became apparent: Beyoncé’s self-titled, self-proclaimed “visual album”, BEYONCÉ. Then, in keeping with the artist’s decision to release a music video for each track on her album, we get into a little discussion on how other artists have applied the visual element in their work.
This week we venture into pure Hip-Hop territory with an especially dense review for an especially dense album: The Heist by Macklemore & Ryan Lewis. Afterwards, we touch upon what it means to be an independent label, and then play fisticuffs with the ineffable vs. the naked truth.
This week we review The Script’s latest album, #3, and we get into an intense discussion about pop culture, the youth of today, and the eternal search for information.
This week we talk about what’s been rattling around in our headphones, the new record from Flobots, The Circle in the Square, and speak about the effects production and mixing can have on albums.