For this week’s recommendation I’m moving back to a discography and it’s for the band The Decemberists. I have my lovely wife Sarah Storm to thank for introducing me to this band. My favorite record by them is easily their 2011 release “The King Is Dead” and my favorite song by them is “Rox In The Box” from that same record. However, for the playlist I will be including their song “Severed” off their brand new record “I’ll Be Your Girl”. This new album is quickly becoming another one of my favorites. The band plays a lot with genre on this album which I find quite fun and refreshing. The song “Severed” is this fantastic meeting point between new wave, classic rock, folk and indie rock. I think this song and album are a great place to start for new fans.
For this week’s recommendation I’m recommending a band. That band is Flobots. They are a band that seamlessly mixes some of my favorite genres of music from hip hop to folk to rock to pop to indie and more. I highly recommend all of their albums but my favorite is The Circle In The Square which was released in 2012. My favorite song by them however and the one I’m putting the playlist is from their 2010 release called Survival Story and is called “If I.” They flow with a rebel energy and are incredibly diverse. Definitely worth checking out.
(More like summersault, am I right?) Known as Beach Fossils, the unassuming Brooklyn-based low-fi indie rock band’s latest release is a head-scratcher alright — enjoyable, catchy, yet difficult to explain apart from our, admittedly, singularly-minded compulsion to conform it to the summer season. Let’s kick off the episode with a discussion on the ambiguous “summer album” before diving into Somersault itself by the Beach Fossils.
Make way for K.Flay, the indie pop & rap artist whose introspective approach to songwriting and blend of singing styles warrant some proper dissection. Tackling her most recent LP, Every Where Is Some Where, we invite you to join us as we inspect the highlights and mull over a variety of details. With plenty of praise and plenty of debate, where do you stand in the track-by-track? Also stick around for a discussion on the fine line between comfort and propaganda.
We are actually, extremely, keenly, and especially excited for today’s album. (Really.) You’ll want to stick it out to the end for this one as we’ve got a lot of material lined up for discussion courtesy of math rock band Snooze and their debut album Actually, Extremely. If you’re unfamiliar with math rock, take a chance on the genre, take a chance on Snooze, and take a chance on us! Let’s kick it off with some album art silliness and dive deep into some hardscrabble analysis. We also have out some pre-monologue monologues concerning—hoo boy—police brutality and how it is discussed.
Schmilco-time! Whether you know Wilco, or don’t know Wilco, then try getting to know Schmilco, as we’ll be doing in today’s episode. Though a bit of a left turn for a band that has practically earned a council seat in the hearts of a generation, Schmilco is a dreamlike saunter that dazzles in moments and reflects in others. Speaking of reflection, our topic [@ 1:41:41] takes to heart your hosts’ prior experience of today’s band and reflects on the notion of “second-hand bands”, i.e., you know ’em… you like ’em… but do you *know* them? It’s a common experience, one that can twist our perceptions of an artist for better or worse. So let’s separate the bull from the malarky and have a podcast about it, shall we?
Today, Matt welcomes Joe Adragna, an indie rock singer/songwriter hailing from New Orleans, who performs under the moniker The Junior League. Upon the release of his single “The Stars In Our Eyes” (off the record Also Rans), Joe chats with Matt about being a multi-instrumentalist and what it’s like to have full creative control over a record. They also chat about the New Orleans music scene, his song-writing process, and what it’s like to put together a live show as a one-man band. Finally, with some notes on Joe’s favorite hobby, reading—and his love of non-fiction in particular—here’s presenting Matt Storm and Joe Adragna.
This week, Crash Chords undertook a slightly heavier project. We’ve rejoined the wondrous world of soundtracks—our first in over three years. This time, it’s to discuss the sparse yet pointed soundtrack to the video game ‘Life is Strange’ by DONTNOD Entertainment. Chronicling the story of an 18 year-old girl named Max who discovers her ability to control time while attending the Blackwell Academy, ‘Life is Strange’ is a story about friendship, right & wrong, and most of all, about consequences. Today we’ll be strolling through the game, dissecting its myriad of outcomes, and finally attempting to “get a feel for it” from the songs that were chosen to adorn some of the game’s key scenes. So either pick up, rent, or watch the game (via this 5-episode no-commentary Let’s Play of ‘Life is Strange’ by Xenonz Kenway), and help us wrestle with the implications of Max’s time-shattering actions together. We highly suggest it, as, you see…
THIS EPISODE CONTAINS SPOILERS!
Perhaps one of the funkiest bands in Britain, The Heavy is on the workbench today along with their album Hurt & the Merciless, brought to us courtesy of listener José (Nokjaw). We’ll be looking at the inns and the outs of this raucous release before taking on the subject of music comparison — that is, the long-held practice of comparing one artist to another. Is this tactic of any meaningful use to the music community, or does it hinder one’s ability to perceive ingenuity? All of this and other things too, here, in this episode… today.
This week, Matt welcomes a singer/songwriter hailing from Stoney Creek, Ontario named Aaron Little. With his latest single, “Nobody To Talk To”, off his upcoming record It’s About Time (out on August 26th), Aaron touches upon his new record with Matt, discussing the inspirations behind it. He also chats about the music scene in Canada and how it might differ from the scene here in the states. Moving on to his background, Aaron lets us in on how his songwriting is affected by such factors as his music influences, his education, and whether he’s playing with a band or as a solo artist. And so, with some final notes on the difficulties and challenges of being a modern indie artist, here’s presenting Matt Storm and Aaron Little.