Perhaps one of the funkiest bands in Britain, The Heavy is on the workbench today along with their album Hurt & the Merciless, brought to us courtesy of listener José (Nokjaw). We’ll be looking at the inns and the outs of this raucous release before taking on the subject of music comparison — that is, the long-held practice of comparing one artist to another. Is this tactic of any meaningful use to the music community, or does it hinder one’s ability to perceive ingenuity? All of this and other things too, here, in this episode… today.
This week, Matt welcomes a singer/songwriter hailing from Stoney Creek, Ontario named Aaron Little. With his latest single, “Nobody To Talk To”, off his upcoming record It’s About Time (out on August 26th), Aaron touches upon his new record with Matt, discussing the inspirations behind it. He also chats about the music scene in Canada and how it might differ from the scene here in the states. Moving on to his background, Aaron lets us in on how his songwriting is affected by such factors as his music influences, his education, and whether he’s playing with a band or as a solo artist. And so, with some final notes on the difficulties and challenges of being a modern indie artist, here’s presenting Matt Storm and Aaron Little.
Get excited for the man, the myth, the legend—who you’ve just now heard of—Matt Dorsi! Currently a member of the indie rock band Blue Spruce (and formerly a member of East Coast Ghost), hear the Woodstock–Williamsburg transplant chat about the trials and tribulations of band breakups and the all-around rewards of being a bassist, songwriter, and up-and-coming audio producer. A relentlessly talented solo act, we kick off the show with Matt’s own compositions and then an interview before diving into Matt’s album pick: the 2012 LP by The Menzingers called On the Impossible Past. Enjoy!
Today, Matt welcomes Austin Aeschliman of Smashy Claw, an experimental rock duo from Longmont, Colorado consisting of guitarist Austin and keyboardist Nathan Long. A veritable engine for new ideas, Smashy Claw is currently engaged in a year-long project to release a new song every week, each accompanied by a brand new YouTube video. Presented for general entertainment (and to spur public interest in the group), these songs are currently compiled into Smashy Claw’s newest record, Claw Machine. With Matt, Austin discusses the band’s name & its inception, his early influences and what spurred him to start writing, as well as the band’s writing process. Also touching upon the band’s primary sources of inspiration, Austin discusses plans for the future of Smashy Claw and their involvement with The FuMP, of which former Autographs guest Insane Ian is also a member. Filled with macabre imagery, surrealist overtones, and brought to life by its talented animators, Smashy Claw’s YouTube channel won’t disappoint. So go ahead, check it out, and support the project.
The April 1st comeback of the 2007 supergroup The Last Shadow Puppets (formed by Alex Turner and Miles Kane) has unveiled Everything You’ve Come to Expect, an album brought to us courtesy of listener José (Nokjaw). Let’s all dive into the album together before confronting our topic [at 1:41:15], which explores the physical limitations of musicians and how certain artists have managed to overcome them.
Today Matt welcomes singer/songwriter Khaled Dajani from New York City. Recently having released an EP under the moniker Songs for the Birds, called Volume 1, and an album called Luci under his given name, Khaled chats with Matt about his early influences and when he first started writing. They dive into the evolving NYC music scene, into how social media can be both a blessing and curse for the modern musician, and into his versatility and love for all—or most—genres. He even tells us of the origin of his band name Songs for the Birds.
This week we take on the latest release by pop rock mainstays Panic! at the Disco: their 2016 album Death of a Bachelor. We dissect the album top to bottom and, as always, invite some active contributions in the comment board. After that, you’ll DEFINITELY want to tune in for our topic at 1:36:03 to hear us discuss the concept of “newness”. That’s right… new, novel, fresh, creative… whatever you call it, “newness” seems to be at the heart of what we’re after when our “comfort art” is all but spent. But is this always the case? After all, what makes something NEW anyway? Can anything be truly new? Or, are all things new, and we’re just scraping to recognize patterns? Come and join us in this timeless critics’ crisis! We’d love to hear from you.
Today Matt welcomes Ayron Jones, the guitarist and frontman of the rock band Ayron Jones & The Way. Hailing from Seattle, Washington, the band’s latest releases are the singles “Boy from the Puget Sound”, and, as of this February, “Lay Your Body Down.” They also have a full-length album from 2013 called Dream. Hear Ayron chat about what it was like growing up in Seattle during the grunge movement and how it affected his musical development. He also talks about what it was like working with Sir Mix-A-Lot and having him produce the album Dream. Enjoy some final notes on Ayron’s love of playing live as well as his hopes for the band’s next tour.
Today, Matt welcomes Jared Sochinsky, lead singer of the band Parade Grounds.
Fresh off an EP released last July called The Wait, hear Jared chat with Matt about how he got his start in music. Also hear him discuss his experiences performing in New York, how children have affected his music & writing, and the music video shoot for the title track of his new EP. Also addressing Jared’s major inspirations, and some plans for the future of the band, here’s presenting Matt Storm and Jared Sochinsky.
This week’s album adventures are brought to you by listener Mark H. who has suggested we dive into the acronymic namesake of a curious collaboration: Glasgow-based Franz Ferdinand & Los Angeles-based Sparks. Together, they form the “supergroup” called FFS, sporting a sole self-titled debut (FFS). Join us in this intensive analysis and share your thoughts! (We even throw in the bonus tracks to honor the FFS deluxe version.) True to form, we also take a few moments at the end to expand on Ep. #179‘s “Bonus Tracks” discussion by adding some thoughts and theories on the thematic applications of bonus tracks.