For the third and most ear-piercing occasion on the Crash Chords Podcast, it’s NELSON LUGO! That’s right, our resident magician and comrade-in-mic (from the EPIC PIEcast) joins us once again, this time with an album called Benjamin Booker, a debut LP by the artist of the same name. For the bulk of the show, we tear into the lauded work and see what makes it tick — but not before discussing Nelson himself! Soak in the updates on his “Gathering the Magic” act (previewed in Ep. #72), and hear us commiserate with Nelson over his latest “YouTube blues” — the artist’s struggle with the deadening woes of the medium. Finally, we close out the episode with some thoughts on the application of music in performances and routines. Enjoy!
Today, Matt has the honor of speaking with Jewel Thief, an indie rock band from Rahway, New Jersey. You’ll be hearing Kevin Smith on guitar/vocals/keyboards, Kevin Urban on guitar/vocals, Conor Carolan on bass/vocals, and Craig Jardonoff on drums. Not always called Jewel Thief, the band had originally established a following under the name Congress. Hear them discuss with Matt what it was like to make this transition, along with how they got their start, their major influences, and what it’s like balancing a day job with being a musician. So listen in, get to know the band, and support them in their endeavors! Their latest record, Speak Electricity, was released on March 24th 2015.
Tackling the subjects of frayed connections, dysphoria, and do-overs, Jeff Rosenstock’s second solo project We Cool? is a spirited look into a wild and sullied past. To what end, you’ll have to listen in. (Thanks to Star F for this upbeat, if harrowing fan pick.) Also stick around for the discussion of the millenium! Seriously, what changed in 2000? Undeniably, all decades carry their own cultural identity—and so, finally with some distance between us and the 90s / 20-aughts, let’s start objectively measuring those obvious and not-so-obvious developments.
The one and only proprietor of our affiliate bar & venue, The Way Station (haven for some Brooklyn musicians, launchpad for others), Andy Heidel is today’s special guest and co-panelist! Also a published science fiction/fantasy writer, Andy’s unique perspective as a successful artist–businessman could well inspire the likes of any myopic upstart who feels snared by the metaphysical and perturbed by entrepreneurship. Speaking of the metaphysical, his acclaimed story collection Desperate Moon is ripe to snare your curiosity (and your currency). For the full interview, skip to 1:40:58. For today’s album, brave the innards! Andy brings us Belle and Sebastian’s Girls in Peacetime Want to Dance. Well-experienced at mellowing out their fans, this time Belle & Sebastian take us dancing! Sort of… Listen to the album, listen to us, and listen to Andy Heidel to find out!
Prepare your ears for Insane Ian, parody artist and comedy musician extraordinaire from Baltimore, Maryland. Also a member of the The Funny Music Project (a.k.a. The FuMP), Ian is here to chat with Matt about how he got started down the path of hilarity, and about what goes into creating a solidly funny sketch on a comedy album. His latest album, Internet Famous, has a title track featuring Chris Ballew of The Presidents of the United States of America. Hear about how that connection developed, the origins of the FuMP, about music, movies, gaming, and more, in this Insane-ly entertaining interview!
Today’s artist, the incomparable They Might Be Giants, represent a welcomed throwback in the course of this series. For those interested in our analysis of their 2013 album, Nanobots, be sure to check out CCP Ep. #38. For their latest project, Glean, you’re just a play-button away! Their seventeenth studio release, They Might Be Giants seem to have no shortage of ideas as they use Glean to unload all of their rants, musings, wordplay, and involuntary spasms. As for our topic, stick around for a lighthearted chat on the un-‘soundly’ world of “music trash-talking”.
Blur’s evolution as a brit-pop/alt-rock band from their formation in 1988 to their 2003 album Think Tank cannot be understated. But after a twelve-year hiatus, and the return of core member Damon Albarn (now of Gorillaz and solo fame), how will Blur’s long-awaited LP, The Magic Whip, fare? After peering deep into the full album, we take some time to discuss the “many-hat musician”! What are the long-term effects of an artist who dabbles in multiple projects?
Matt has sure taken a slice out of the nerdcore community, but today he sidesteps towards… “nerd rock!” by introducing Seattle-man Kyle Stevens of Kirby Krackle. Apart from Kyle’s roles as frontman, singer-songwriter, and guitarist for the band, Kyle can tack on “founder of the Charging Hippo Brewing Co.” to his résumé. Along with Kirby Krackle’s latest LP, Mutate, Baby!, the band has also ventured into the world of podcasting, with their series: The Kracklekast. On this podcast, however, you can hear Kyle discuss everything from his decision to pursue nerd rock, to Kyle & Matt’s initial meeting at the NY Comic Con, to a whole slew of complimentary digressions on comics, video games, and the Marvel Cinematic Universe. Enjoy!
Anxious Kids Make Good People (AKMGP): the acronym, the axiom, and the “-nym” are all coined by today’s guest, Devin Jackson Mullen, who writes & performs under the namesake. Straight from his career in sound design and the release of his latest EP, Radio Fire Flies, Devin joins our team to unveil the 2012 album Nocturne by Wild Nothing (the brainchild of Virginia-based artist Jack Tatum.) After Devin helps us break apart the album, we go on to break apart Devin! Figuratively, that is. For those who can’t wait, Devin’s interview begins at 1:25:37. For his three groovy surprises however, you’ll have to hunt.
Prime your ears for the latest release by Death Cab for Cutie! A pop favorite for much of the millenium, Death Cab for Cutie has been known to their fans as the modern soul of Indi, and their frontman (singer/songwriter Ben Gibbard) as the purveyor of tear-jerkers. Let’s walk through their most recent project, Kintsugi. Then stick around for a discussion on time, place, and acoustics. Where do you get your most comprehensive listening done?