Today we welcome guests Mark & Chuck of the music comedy duo Afterbirth Monkey. As tradition demands, they have the honor of the weekly album pick, which they reveal to be Katy Perry’s latest, Prism. Later, we spotlight our guest duo and pick apart the origins of their risque yet quirky comedy style. And of course, we couldn’t let them leave without giving us a taste of their craft, so they regail us with three unique tales (in song form of course). Stay alert for these performances at the most logical intervals. Hint: you won’t have to wait long for the first.
Our 90th episode’s review is brought to you by the world-travelling, rhyme-spitting, ivory-tickling Louis Logic! Not so incidentally, he is also our guest. As for the album of study, we look at II, the self-implied second LP by the curiously eclectic Unknown Mortal Orchestra. Afterwards, Louis walks us through the trials and fortuities that have landed him his one-of-a-kind solo career as a rapper/keyboardist. He even touches upon his own eclectic range of influences, culminating in his recent release, Look on the Blight Side. Listen for yourself in the sample he supplies to sign us off.
You all know Suzanne Pike from The Barbaric Yawps… well now you’ll know her as a bona fide CCP guest! Yes, we’re honored to have the famed Indi icon on the podcast, not only for an interview, but also to provide us with this week’s album review. Spurring another genre-first for Crash Chords, she has us examine the 2007 album Rival Factions by the Christian hardcore rock band, Project 86. After unpacking this issue-straddling album, we of course question Suzanne about her rise to fame. And, if you stick around, there’s a chance you’ll receive a treat performance — a good chance.
Ease off the throttle for this week’s lighthearted surprise-cast. First we welcome guests Kim & Sage of Head Over Feels, the most heartfelt website in all of pop culture “fannon”. Then, in lieu of our weekly review, we discuss and dissect the common practice of compiling playlists, using Kim & Sage’s personal submission as our model: The Ultimate Rose/Doctor Mixtape. Of course, our discussion covers only a minute fraction of their monstrous homage to the popular sci-fi series, Doctor Who, which dices the season-spanning forbidden love story into 728 bite-size morsels of feels. Also stick around for a discussion of playlists in the broad, and a brief interview chronicling the origins of Head Over Feels.
You might know him as an actor and a comedian, but don’t forget about that banjo! That’s right, grammy-award winning musician Steve Martin has teemed up with Edie Brickell (of Edie Brickell & New Bohemians) for an original roots and bluegrass album called Love Has Come for You. This album review is brought to us by our guest (another folk talent, singer-songwriter, actor, and member of the Waysties), Sarah Bisman Storm. Stick around for an interview on her musical background, some treat performances, and a hefty discussion on folk theater.
Today we explore the layered worlds of Glitch-Hop and Chillwave with an album called Vapor City by Machinedrum. This album review is brought to us by today’s guest, the talented rapper, Hops. Afterwards, stick around for an interview and learn how Hops cultivated his knack for wordsmithing. In fact, stay a bit more and you may find a treat to close us out.
We’re returning to an old favorite this week with the cheerful theatrics of three musical robots: Steam Powered Giraffe. Incidentally, another old favorite (guest Nelson Lugo), is returning to us! For review, he delivers us Steam Powered Giraffe’s third studio release, MK III. (To hear our review of their second album, see Ep. #39!) And stick around, because after this fun-filled excursion through the band’s most daring product yet, we get to hear all about Nelson’s excursions through the world of magic and theater, namely his upcoming show, “Gathering the Magic.” Enjoy!
Tonight we take a short breather from album reviews to direct our attention toward the foremost film score composer of our time — the stalwart master of his craft, John Williams. Joining us for this very special epis-“ode” is returning guest Nate Rider, armed with his vast knowledge of film and pop culture. Together, we discuss John Williams’ major works, the films at large, the scope of his contributions, and the films’ greater cultural impact.
This week we’re joined by our guest, manic mandolinist Painless Parker, who invites us to explore the rich history of American Folk music. After starting us off with a treat performance, he introduces this week’s album review: Leaving Eden by Carolina Chocolate Drops. Then, after another performance, we get to talk about Painless as an artist, his background, and how he grew to attain a cult following within the Steampunk community and abroad. Oh, and for the subway enthusiast, be sure to remain all the way to the bumper block.
After our raving review of The Envisage Conundrum by the incomparable UK-based Prog trio, Godsticks (in Episode #51), we were delighted to hear that the artists themselves had listened in and had shared our discussion with their fans. Naturally, we took this opportunity to learn as much as we could about the individuals behind the talent. And so we invite you to peruse the insights of Darran Charles, Steve Roberts, and Dan Nelson of the acclaimed Godsticks in this special overseas interview