Today Matt welcomes Nasty Canasta, a burlesque producer and performer hailing from Brooklyn, NY. A producer for Wasabassco, Nasty is known by the tag line “The girl with the 44DD brain.” She was a previously a guest on the Crash Chords Podcast, Ep. #183, where she brought on Donker Mag by Die Antwoord for discussion. Today, Matt inquires into her earliest ambitions and her transition from theater to burlesque. They chat about what she looks for in other performers and the types of acts and shows she identifies with most. They chat about her most recent Wasabassco show “Unstripped Mysteries” (a tribute to the show Unsolved Mysteries), as well as her costuming skills and what goes into creating outfits. And so, from Nasty’s future as a producer to the future of burlesque as a whole, here’s presenting Matt Storm and Nasty Canasta.
Today, Matt welcomes Alissa May Atkinson, a comedian and bartender hailing from Brooklyn, NY. A bar manager at Precious Metal, Alissa (along with her comedy partner Lauren Vino) produces and hosts monthly comedy shows called Midd Riff Comedy, which are held at Precious Metal on the first Friday of every month. With Matt, Alissa chats about how she got started in comedy and what inspires her joke writing. They also chat about the origin of Midd Riff Comedy and how bartending (doubling as a form of entertainment) preps her for performing. And so, from her fascination with the comedic process to her plans for the future, here’s presenting Matt Storm and Alissa May Atkinson.
Today Matt welcomes Waylon K. Smith, a musician hailing from Greencastle, PA. As one half of the band The Positronic Cats, Waylon’s roles as a musician range from singing to playing guitar and electric bass, while his bandmate Jim Taylor plays electric and acoustic mandolin. With Matt, Waylon chats about how his band’s newest record Mortal Cathedrals came to be, from its content to its artwork, and to the music video for its first single “Glitter”, (which stars previous guest Robare James Pruyn-Bush). Waylon also discusses the band’s dynamic and how they work together as a unit to create their music and perform live. And so, from Waylon’s origins to his influences, both musical and external, here’s presenting Matt Storm and Waylon K. Smith.
Today, Matt welcomes Kati Delaney and Robare James Pruyn-Bush. Both previous guests on the Crash Chords Podcast, Kati Delaney is an animator and voice-over artist while Robare is a music producer and musician who is a member of many different bands including Rare Spirits, The Waysties, and The Rose West just to name a few. Kati and Robare both hail from Philadelphia, where this interview was recorded on location in their studio. With Matt, Kati chats about her ever-expanding voice-over career working with the YouTube channels TheRichest, TheTrendy, and TheThings. She has also now branched out into recording audio books. Robare talks about producing and recording the Rare Spirits 3-song EP Dram and also about his production style and what it’s like to work with stubborn or difficult musicians. And so, from all things production to voice-over work, to the mutual past shared between them and your host, here’s presenting Matt Storm, Kati, and Robare.
A Critical Look at Criticism: It’s our FIFTH anniversary! That’s five seasons at fifty episodes a piece, covering nearly that many albums, topics, as well as debates over what many would consider a trifling corner of cultural discourse. Five years has taught us that music truly is a boundless medium. And so, in our album discussions—incorporating everything from literary analogies to politics, psychology, sociology, life, love, pain, sorrow, and ever more complex conditions—we strive to honor artists’ hard labor by (at the very least) participating in combined acts of analysis, brainstorming, ruthless criticism, and garrulous adulation. It’s a mixed bag, but we hope, a fruitful one.
In this episode, we will be:
• Reflecting on the project;
• Discussing the barriers between criticism and analysis;
• Championing the merits of fact-checking;
• Discussing logical fallacies, laws, and rhetorical gibberish;
• Citing examples of specific critics and critical works, from Glenn Gould, to Pitchfork, to Yahtzee, and RedLetterMedia, where language, rhetoric, and satire have all aided the work, for good and for ill;
• Coming to terms with our own fallacies, clichés, and internet nonsense.
Day 4! It’s our last episode of the season, before our anniversary episode, and the project is Migration by Bonobo, the one-man project of British DJ Simon Green. Green describes Migration as “a study of people and spaces”; we’ll briefly touch on that, but we’re also interested in the artist’s crafty use of texture and soundscapes. Let’s have some analysis, some debate, and finally take a look at the idea of a cathartic experience vs. an antidotal experience.
(More like summersault, am I right?) Known as Beach Fossils, the unassuming Brooklyn-based low-fi indie rock band’s latest release is a head-scratcher alright — enjoyable, catchy, yet difficult to explain apart from our, admittedly, singularly-minded compulsion to conform it to the summer season. Let’s kick off the episode with a discussion on the ambiguous “summer album” before diving into Somersault itself by the Beach Fossils.
Day 2! While it might seem that the word “folk” gets applied to just about everything these days, English songwriter Richard Dawson has the apparent distinction of existing both at the primeval and pioneering fronts of that genre. With his unusual cracked vocals crooning over a broken (yes, literally broken) guitar, Dawson gives us Peasant, transplanting us to a Britain of very long ago, where not everything is as it appears and where coarseness and beauty are one and the same. Let’s unpack this project together and share its most attractive (and its most contentious) qualities. Also, what warped or broken instrument would you care to play? We’ve got ours, let’s hear yours!
And we’re back! It’s time to play catch-up as we post some episodes from lost weeks and proceed to count down to our 250th episode, our 5th anniversary spectacular! Expect an episode of the Crash Chords each day ’til Saturday 7/22 — that’s five episodes for five years. Today’s episode gets a bit on the ‘trippy’ side as we explore All Them Witches’ 2015 release, Dying Surfer Meets His Maker, a work of neo-psychedelic proportions with a blues heart. You know the drill: let’s break it down, build it up, tear it down again, and have some fun.
Today, Matt welcomes Uncle Meg, a West Virginia born, Brooklyn-based transgender (FTM) rapper. With the release of his latest LP Bug, Uncle Meg chats with Matt about his influences and his writing process, from creating beats to penning lyrics. He also discusses what it was like to have made his transition in the glow of the internet, with some afterthoughts ranging from the public support offered by his friends, family, and fans, to the unique vulnerability of the experience. And so, from his upcoming releases to the process of filming his music video for the single, “Taylor Swift”, here’s presenting Matt Storm and Uncle Meg.