Today, Matt welcomes Kati Delaney and Robare James Pruyn-Bush. Both previous guests on the Crash Chords Podcast, Kati Delaney is an animator and voice-over artist while Robare is a music producer and musician who is a member of many different bands including Rare Spirits, The Waysties, and The Rose West just to name a few. Kati and Robare both hail from Philadelphia, where this interview was recorded on location in their studio. With Matt, Kati chats about her ever-expanding voice-over career working with the YouTube channels TheRichest, TheTrendy, and TheThings. She has also now branched out into recording audio books. Robare talks about producing and recording the Rare Spirits 3-song EP Dram and also about his production style and what it’s like to work with stubborn or difficult musicians. And so, from all things production to voice-over work, to the mutual past shared between them and your host, here’s presenting Matt Storm, Kati, and Robare.
A Critical Look at Criticism: It’s our FIFTH anniversary! That’s five seasons at fifty episodes a piece, covering nearly that many albums, topics, as well as debates over what many would consider a trifling corner of cultural discourse. Five years has taught us that music truly is a boundless medium. And so, in our album discussions—incorporating everything from literary analogies to politics, psychology, sociology, life, love, pain, sorrow, and ever more complex conditions—we strive to honor artists’ hard labor by (at the very least) participating in combined acts of analysis, brainstorming, ruthless criticism, and garrulous adulation. It’s a mixed bag, but we hope, a fruitful one.
In this episode, we will be:
• Reflecting on the project;
• Discussing the barriers between criticism and analysis;
• Championing the merits of fact-checking;
• Discussing logical fallacies, laws, and rhetorical gibberish;
• Citing examples of specific critics and critical works, from Glenn Gould, to Pitchfork, to Yahtzee, and RedLetterMedia, where language, rhetoric, and satire have all aided the work, for good and for ill;
• Coming to terms with our own fallacies, clichés, and internet nonsense.
Day 4! It’s our last episode of the season, before our anniversary episode, and the project is Migration by Bonobo, the one-man project of British DJ Simon Green. Green describes Migration as “a study of people and spaces”; we’ll briefly touch on that, but we’re also interested in the artist’s crafty use of texture and soundscapes. Let’s have some analysis, some debate, and finally take a look at the idea of a cathartic experience vs. an antidotal experience.
(More like summersault, am I right?) Known as Beach Fossils, the unassuming Brooklyn-based low-fi indie rock band’s latest release is a head-scratcher alright — enjoyable, catchy, yet difficult to explain apart from our, admittedly, singularly-minded compulsion to conform it to the summer season. Let’s kick off the episode with a discussion on the ambiguous “summer album” before diving into Somersault itself by the Beach Fossils.
Day 2! While it might seem that the word “folk” gets applied to just about everything these days, English songwriter Richard Dawson has the apparent distinction of existing both at the primeval and pioneering fronts of that genre. With his unusual cracked vocals crooning over a broken (yes, literally broken) guitar, Dawson gives us Peasant, transplanting us to a Britain of very long ago, where not everything is as it appears and where coarseness and beauty are one and the same. Let’s unpack this project together and share its most attractive (and its most contentious) qualities. Also, what warped or broken instrument would you care to play? We’ve got ours, let’s hear yours!
And we’re back! It’s time to play catch-up as we post some episodes from lost weeks and proceed to count down to our 250th episode, our 5th anniversary spectacular! Expect an episode of the Crash Chords each day ’til Saturday 7/22 — that’s five episodes for five years. Today’s episode gets a bit on the ‘trippy’ side as we explore All Them Witches’ 2015 release, Dying Surfer Meets His Maker, a work of neo-psychedelic proportions with a blues heart. You know the drill: let’s break it down, build it up, tear it down again, and have some fun.
Today, Matt welcomes Uncle Meg, a West Virginia born, Brooklyn-based transgender (FTM) rapper. With the release of his latest LP Bug, Uncle Meg chats with Matt about his influences and his writing process, from creating beats to penning lyrics. He also discusses what it was like to have made his transition in the glow of the internet, with some afterthoughts ranging from the public support offered by his friends, family, and fans, to the unique vulnerability of the experience. And so, from his upcoming releases to the process of filming his music video for the single, “Taylor Swift”, here’s presenting Matt Storm and Uncle Meg.
After a six-year hiatus, the Celtic Rock staple of many-a merry pub crawler, Flogging Molly, has returned with a new album called Life is Good. (Isn’t it though?) Let’s spend an inordinate amount of time answering that particular question without answering it at all. Also, let’s talk about the music. Then, after all the ‘weighing ins’ and ‘reflecting upons’, let’s ponder the question of musical self-honesty.
Today, Matt welcomes Karama, a.k.a. Theblerdgurl, a blogger, YouTuber, and internet powerhouse hailing from Brooklyn, New York. With Matt, Karama chats about the origins of Theblerdgurl and how it grew from its humble beginnings as a Tumblr blog to the full-fledged nerd-devoted website it is today. They discuss her childhood and how her upbringing taught her to think differently. They discuss her many experiences at conventions and what it’s like to meet your idols, the culture of social media, and what it’s like to be an outspoken personality. And so from all things comic books, music, and television to her expanding brand, here’s presenting Matt Storm and Theblerdgurl.
Funneled through the gates of Footwork and IDM are the sounds of Black Origami, a confluence of rhythmic theses, footnotes, and diatribes produced by composer/DJ Jerrilynn Patton (Jlin). Though only her second album, Black Origami is born of a collaboration with Indian dance & movement artist Avril Stormy Unger, and of a kind of artistic freedom she has long been seeking. Let’s explore the album together and then return to a fond old subject: objectifying the subjective—or vice-a-versa!