Recommendation time! This time I’m recommending the newest single from Panic! At The Disco called Say Amen (Saturday Night) from the upcoming album “Pray For The Wicked.” I’m a relatively new fan of them and was really hooked by their previous record “Death Of A Bachelor.” The new song is infectious and upbeat. I’m a huge fan of front man Brendon Urie’s vocals. Solid pop fare here. It will keep your head bopping with every listen. The video for this song is a hell of a lot of fun too. t’s a Bondesque adventure that has lots of action, thrills and silliness. “Pray For The Wicked” hits shelves on June 22, 2018.
Today’s recommendation is the latest release from Weezer, which is their cover of the 1982 classic “Africa” by Toto. Covers are super important to me. They show many things about the artist doing said cover. It displays influences, likes, dislike, and more. I’m always intrigued by the earliest decision a band makes when covering, should it be an homage or make it more original to ones own style. I personally like both kinds of covers but many music listeners prefer one over the other which is OK too. For me this cover specifically important because I love Weezer a lot and “Africa” is one of my got to jams from the 80’s. It’s a fusion of two things I love very much.
For this week’s recommendation I’m excited to talk about one my favorite vocalists, Florence Welch from Florence + The Machine. The band has a brand new single out called “Hunger.” It has an uplifting instrumentation and Florence’s heavenly vocals. The song has a climbing energy and strength that is not new for this band. If you’re looking for a song with a sense of self and power I highly recommend this one.
This week’s recommendation is the first single off Jack White’s new album “Boarding House Reach” and that song is Connected By Love. I’ve always been a huge fan of Jack’s work whether it was in the White Stripes, The Raconteurs (one of his many many other bands) or just solo. His last solo record “Lazaretto” was my favorite album that year in 2014. His mix of classic rock, synth, blues, and gospel has always resonated with me. I’m always interested in where he takes his work and how it continues to evolve.
Put on your speedos and roll, yes, roll down your windows. Today we’re surfing through some retrowave, a genre that’s all about those bygone times… but who’s kidding who: those times are the 1980s. With a debut album called Atlas, FM-84 (the mostly one-man project of Col Bennett) introduces vocalists Josh Dally, Ollie Wride, and Clive Farrington to help him with his first LP. The idea certainly caught our attention, as did its striking album cover, but ultimately, does it pass the album test? We’ll hash out a few discussions along those lines while for our topic we wrestle with the question of whether nostalgia is a prerequisite for just about everything we enjoy in some fashion.
Ready to rummage through Junk by M83?? We certainly are. The veteran French electronic music band, fronted by Anthony Gonzalez, has been quite up-front about some intentions surrounding its seventh studio LP Junk, leading us to some fairly heated debates. In our topic, for instance, at [1:49:40], we launch into a debate on the evolution of aesthetic values. Does time, in fact, validate? Weigh in!
Many thanks to José (Nokjaw) for today’s fan-pick, The Great Pretenders by Mini Mansions! The fans of two other bands will also be pleased as the Mini Mansions ensemble was forged out of the hiatus of Queens of the Stone Age (bringing over bassist Michael Shuman), while today’s album, The Great Pretenders, has seen the addition of Alex Turner (from Arctic Monkeys). Influences aside, let’s see how this latest project compares! Finally, stick around for a discussion on the importance of ‘challenging music’—that is, music that confronts us head-on and forces us to do a little more work than we’d like to. What are the benefits of a challenging work, and how to quantify it?
Today we revisit a group that we skirted past (way back in CCP Ep. #36) called Walk Off The Earth. In that episode, we discussed a smattering of topics: the origins of the band, their history of covering pop hits, and their then-new EP, R.E.V.O. Well this time we’re correcting the books by looking at their full album, Sing It All Away, to see what it has to say. Afterwards, stick around for a discussion on titles, names, designations — literally, whatever you want to call it. How do song titles (or lack thereof) form preconceptions about the works they characterize?
Anxious Kids Make Good People (AKMGP): the acronym, the axiom, and the “-nym” are all coined by today’s guest, Devin Jackson Mullen, who writes & performs under the namesake. Straight from his career in sound design and the release of his latest EP, Radio Fire Flies, Devin joins our team to unveil the 2012 album Nocturne by Wild Nothing (the brainchild of Virginia-based artist Jack Tatum.) After Devin helps us break apart the album, we go on to break apart Devin! Figuratively, that is. For those who can’t wait, Devin’s interview begins at 1:25:37. For his three groovy surprises however, you’ll have to hunt.
Happy Thanksgiving from Crash Chords! (If today’s album & analysis should find its way into your extra-long weekend, we’ll be giving plenty of thanks indeed.) Ripe for the picking, we look at an album that debuted at #1 in the U.K. this September, the plaintive This Is All Yours by the English band Alt-J (or “∆”). Then, following the album, we briefly discuss the impact of varying an album’s style as opposed to its mood.