CCP Ep. #246: Dying Surfer Meets His Maker by All Them Witches

And we’re back! It’s time to play catch-up as we post some episodes from lost weeks and proceed to count down to our 250th episode, our 5th anniversary spectacular! Expect an episode of the Crash Chords each day ’til Saturday 7/22 — that’s five episodes for five years. Today’s episode gets a bit on the ‘trippy’ side as we explore All Them Witches’ 2015 release, Dying Surfer Meets His Maker, a work of neo-psychedelic proportions with a blues heart. You know the drill: let’s break it down, build it up, tear it down again, and have some fun.

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CC: Autographs Ep. #74 – Feat. Uncle Meg

Today, Matt welcomes Uncle Meg, a West Virginia born, Brooklyn-based transgender (FTM) rapper. With the release of his latest LP Bug, Uncle Meg chats with Matt about his influences and his writing process, from creating beats to penning lyrics. He also discusses what it was like to have made his transition in the glow of the internet, with some afterthoughts ranging from the public support offered by his friends, family, and fans, to the unique vulnerability of the experience. And so, from his upcoming releases to the process of filming his music video for the single, “Taylor Swift”, here’s presenting Matt Storm and Uncle Meg.

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CCP Ep. #245: Life is Good by Flogging Molly

After a six-year hiatus, the Celtic Rock staple of many-a merry pub crawler, Flogging Molly, has returned with a new album called Life is Good. (Isn’t it though?) Let’s spend an inordinate amount of time answering that particular question without answering it at all. Also, let’s talk about the music. Then, after all the ‘weighing ins’ and ‘reflecting upons’, let’s ponder the question of musical self-honesty.

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CC: Autographs Ep. #73 – Feat. Theblerdgurl

Today, Matt welcomes Karama, a.k.a. Theblerdgurl, a blogger, YouTuber, and internet powerhouse hailing from Brooklyn, New York. With Matt, Karama chats about the origins of Theblerdgurl and how it grew from its humble beginnings as a Tumblr blog to the full-fledged nerd-devoted website it is today. They discuss her childhood and how her upbringing taught her to think differently. They discuss her many experiences at conventions and what it’s like to meet your idols, the culture of social media, and what it’s like to be an outspoken personality. And so from all things comic books, music, and television to her expanding brand, here’s presenting Matt Storm and Theblerdgurl.

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CCP Ep. #244: Black Origami by Jlin

Funneled through the gates of Footwork and IDM are the sounds of Black Origami, a confluence of rhythmic theses, footnotes, and diatribes produced by composer/DJ Jerrilynn Patton (Jlin). Though only her second album, Black Origami is born of a collaboration with Indian dance & movement artist Avril Stormy Unger, and of a kind of artistic freedom she has long been seeking. Let’s explore the album together and then return to a fond old subject: objectifying the subjective—or vice-a-versa!

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CCP Ep. #243: Noenemies by Flobots

Where were you in September 2012? We were fumbling through the Flobots’ last album, The Circle in the Square. And now, after many moons, we’re tackling them again, hopefully with steadier hands and heads. Jonny 5, Brer Rabbit, KennyO, and company are back at it, releasing their first album in that timespan, Noenemies. We’ll discuss the current state of Flobots, the new album and its content, while touching briefly on “having your back against the wall” so to speak—confronting the ‘thens’ and ‘nows’ of critical consideration.

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CC: Autographs Ep. #72 – Feat. Bunny Buxom

This week, Matt welcomes Bunny Buxom, a burlesque producer, performer, singer, and activist hailing from Queens, NY. Producer of many shows in the NYC area including Talons and Tease, Resistance, and Rabbit Hole Presents, Bunny chats about her earliest memories involving the pursuit of burlesque and her transition into making it a full-time career. She describes the origins of Rabbit Hole Productions and explains how important it was for her to create a space that promoted feminism, body positivity, and equality. She also chats about how she got involved with The Pink Room Burlesque and her upcoming wrestling-inspired show on July 7th, called TasselMania. And so, from those stories to the special tale of what it’s like being upstaged by her sphinx cat Rodger, here’s presenting Matt Storm and Bunny Buxom.

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CCP Ep. #242: Every Where Is Some Where by K.Flay

Make way for K.Flay, the indie pop & rap artist whose introspective approach to songwriting and blend of singing styles warrant some proper dissection. Tackling her most recent LP, Every Where Is Some Where, we invite you to join us as we inspect the highlights and mull over a variety of details. With plenty of praise and plenty of debate, where do you stand in the track-by-track? Also stick around for a discussion on the fine line between comfort and propaganda.

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CC: Autographs Ep. #71 – Feat. Viktor Devonne

Today, Matt welcomes Viktor Devonne, burlesque producer and performer hailing from Jersey City. Producer of White Elephant Burlesque, held at Rockbar NYC every Wednesday at 8:30pm, Viktor chats about his roots in burlesque having been born of the Rocky Horror Picture Show. With Matt, he discusses the origins of White Elephant Burlesque, what it’s like to run a weekly show, and what goes into making that a success. He also explains how he produces his performances, where he draws inspiration, and how that affects his craft. And so, from an update on the burlesque scene to how it’s changing and evolving, here’s presenting Matt Storm and Viktor Devonne.

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CCP Ep. #241: Humanz by Gorillaz

It’s time for everyone’s favorite (and perhaps only) virtual band! Although we’ve inspected the work of Damon Albarn before, this is our first chance to take on the Gorillaz, an unrelated ensemble of animated musicians — 2-D, Mudoc, Noodle, and Russel — who, as far as we’re concerned, are behind the music we’re hearing. On their latest album, Humanz, the Gorillaz introduce a bevy of artists, both old and new, to help with the project and take on its variety of subjects. Let’s follow along! And save room for a brief discussion on the subjectivity and flexibility of rating criteria where art is concerned.

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