Today Matt welcomes Dangrrr Doll, a burlesque performer, producer, and cosplayer based in Brooklyn, NY. Dangrrr Doll is the producer of the Comic Con Vixens, the official burlesque show of NYCC. She is also the producer of RAWR! Burlesque and of the Nerdlesque Festival. With Matt, Dangrrr Doll chats about her start in burlesque, what goes into the process of creating some of her acts, and the difference between performing and producing. Touching upon her future endeavors (and her grand vision for the future of burlesque), she explains how confidence plays a role in her art, and how it’s been the fuel that propels her towards her next act. So without further ado, let’s propel ourselves towards Matt Storm and Dangrrr Doll.
Today Matt welcomes Brooklyn burlesque producer & performer Anja Keister. The producer of D20 Burlesque, Anja is the first Crash Chords “crossover guest” in that she has now appeared on both the Crash Chords Podcast and on Autographs. You can hear us tackle her album pick, Beat the Champ by The Mountain Goats in CCP Ep. #161. Today is a special episode of Autographs because Anja is coming on to promote her upcoming show: D20 Burlesque Tribute to Podcasts. Matt (a.k.a. DJ Stormageddon) will be a special guest DJ for this event. Hear Anja discuss the inspiration for the show and the kinds of podcasts Anja listens to. Also hear about the performers, about some of Matt’s favorite acts (and how they came to be), and about Matt & Anja’s work in the 2016 Nerdlesque Festival. The host of performers for the D20 event will include Anja Keister, Iris Explosion, Seedy Edie, Triple Jay, Fancy Feast, Mx Macabre, Ravenessa, Legs Malone, and a special duet by Mary Cyn and Johnny Caligula with go-go by Taylor Sweet — and, of course, your host DJ Stormageddon manning the sound board!
Today Matt welcomes Doc Wasabassco—fake doctor, but real burlesque kingpin, hailing from Brooklyn, NY. Doc is the host and producer for a burlesque company which he’s come to emblemize. On his humble beginnings in burlesque and the origin of Wasabassco entertainment and showcases (which is closely tied to Andy Heidel and The Way Station), Doc chats about how he had to overcome tremendous stage fright and how he wasn’t always comfortable behind a microphone. He chats about the variety of shows and themes that Wasabassco has tackled over the years, the NY burlesque community, as well as the Agents of Wasabassco (a tight and supportive community within the company). Finally, with a word or two on Matt’s involvement with Wasabassco as a DJ, and some gabbing about movies and comics, here’s presenting Matt Storm and Doc Wasabassco.
Today, Crash Chords is pleased to welcome guest Kati Delaney (visual artist, voice-over artist, and former Way Station bartender extraordinaire)! She joins us to discuss her voice-over work, the development of her drawing style, and–segueing into the album of the week–her many MISadventures experiencing music as a bartender. Finally we come to her album of choice: the 2016 reissue of Everybody Wants by the glam rock insurgents from the U.K., The Struts. Help us break down the album, and let us know your thoughts below!
At last we’ve snagged the veteran Burlesque artist, producer, and all-around conceptualizer, Nasty Canasta. To kick off the episode, we talk about all things Nasty; we hear about the esteemed performer’s turbulent journey toward her chosen art form and how it coincides with her love of theater, script writing, and production work. Nasty also brings us our album of the week! Join us in a discussion of Donker Mag by Die Antwoord, a rap-rave duo out of South Africa… a “Nasty” analysis, indeed. And of course, don’t forget to check out the curiously named 2 DESKS show at the Way Station, Thursday March 10th.
Today we welcome special guest Anja Keister, a producer & performer at D20 Burlesque gifted with a rich musical background. More than prepared to discuss her album choice, Anja starts by sitting down for a warm-up interview. Join us as we discuss Anja’s uniquely-conceived acts, her trials, and her inspirations. Then, join us once more as we dive into Anja’s album pick of the week (20:37). Anja’s choice: Beat the Champ by The Mountain Goats. As The Mountain Goats’ 15th studio release, Beat the Champ is actually a journey through songwriter John Darnielle’s childhood love of dirt cheap, small circuit wrestling. For more details, you’ll just have to experience it. Then visit us for the analysis, and thank Anja for the selection!
Harkening back to her first appearance in CCP Ep. #45, Kita St. Cyr makes good on her promise to deliver us something from the Far East with her much-awaited return. Her choice: Crush by the immensely popular K-Pop girl group, 2NE1. Then, a discussion on cultural diffusion, as stemming from K-Pop’s relatively recent U.S. debut. From South Korea’s Psy to Japan’s Babymetal, what does it take to steal Western attention?
Let the chatter begin! The Living Statue Galatea has agreed to break her stone encasement of silence for the likes of Crash Chords, and of course, for her album of choice: Singles by Future Islands. The album title is a pun that combines the accessible music format with those bereft of that special someone. Join our analysis for the details and come be a part of Galatea’s motionless journey through NYC’s street performing scene. Follow her blog at The Statue Speaks!
Today we’re delighted to welcome another charming burlesque artist, the creative and talented Kita St. Cyr, who presents us with our album of the week: Tabu! Volume 1, a 1960s compilation of Exotica, Rockabilly, Blues, and you name it! We also receive a fascinating lesson on Exotica as a genre, and of course get the inside scoop on Kita and her art.
Welcome, welcome… or should I say, “thank ya, thank ya,” because this week we’re traveling to the bygone days of Lawrence Welk with his 1960s compilation album, The Champagne Music of Lawrence Welk. This review is brought to us by today’s guest, the lovely Hazel Honeysuckle, a talented NYC-based burlesque performer who enlightens us with her unique perspective on music as an on-stage tool, as well as a brief history of burlesque and its resurgence as a popular performance art.