CCP Ep. #155: Sing It All Away by Walk Off The Earth

Today we revisit a group that we skirted past (way back in CCP Ep. #36) called Walk Off The Earth. In that episode, we discussed a smattering of topics: the origins of the band, their history of covering pop hits, and their then-new EP, R.E.V.O. Well this time we’re correcting the books by looking at their full album, Sing It All Away, to see what it has to say. Afterwards, stick around for a discussion on titles, names, designations — literally, whatever you want to call it. How do song titles (or lack thereof) form preconceptions about the works they characterize?

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CC: Autographs Ep. #26 – Feat. Sexy Heroes

Welcome to the one-year anniversary of CC: Autographs! For the occasion, Matt is joined by the first FULL band to appear on the series: the pop/punk/rock ensemble known as Sexy Heroes, hailing from Upper Saddle River, NJ. In anticipation of their newest album Yellow Fever (and its September release date), you’ll hear bandmembers Mike Watts, Nick Everett, Nick Magliano, and a belated Chris Watts discuss everything from their songwriting process, to the evolution of the bandname, to their downtime shenanigans, and finally, the band’s future. For touring info, single releases, and a discussion on crowd funding, tune in to this exclusive interview!

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CC: Autographs Ep. #23 – Feat. Insane Ian

Prepare your ears for Insane Ian, parody artist and comedy musician extraordinaire from Baltimore, Maryland. Also a member of the The Funny Music Project (a.k.a. The FuMP), Ian is here to chat with Matt about how he got started down the path of hilarity, and about what goes into creating a solidly funny sketch on a comedy album. His latest album, Internet Famous, has a title track featuring Chris Ballew of The Presidents of the United States of America. Hear about how that connection developed, the origins of the FuMP, about music, movies, gaming, and more, in this Insane-ly entertaining interview!

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CCP Ep. #143: Handwritten by Shawn Mendes

In revisiting the pop community, much hype has been bestowed to a 16-year-old Canadian artist who broke the record for youngest artist to debut in the top 25 of the Billboard Hot 100. Brought to the world’s attention through his successful Vine covers, Shawn Mendes and his debut album Handwritten promises to bolster his 6.5-second skills with a full-length production. Let’s hop in and see how those skills translate! Afterwards, some general thoughts on the impact of ‘age’ in music. From child prodigies to latent talents, can we quantify the effects that passing years have on artists’ abilities?

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CCP Ep. #138: American Beauty/American Psycho by Fall Out Boy

Courtesy of our fan, Kristin V., today we investigate American Beauty/American Psycho, the latest release by the reunited pop giants, Fall Out Boy. However we might have approached this band in the past, let’s take our analysis one note at a time. Aftewards the review, stick around for… “The Great Cliché Debate”! Join us as we cite our darkest terrors in modern music and then duke it out! (Spoilers: we all lose.) Tell us about your most feared clichés!

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CC: Autographs Ep. #15 – Feat. ShyBoy

Matt is invited behind the DJ booth for this exclusive interview with the singer-songwriter, producer, and DJ/mashup artist, meekly known as ShyBoy. Once a member of the band Hypnogaja, ShyBoy discusses the band’s dissolution but reaffirms a working relationship with its members. His solo work, however, has taken flight with two LPs, Lost In Space and Water on Mars, not to mention his newest EP, Daisy Pusher. Solo work aside, his career is complemented by a recent residency at the club, Bootie, at the Echoplex in Los Angeles, which he discusses alongside his fondness for making mashups. Fielding a vast array of musical tastes (and an ode to Donna Sommer), ShyBoy leaves time for a chat on Sci-fi and comic books for his & Matt’s “spinning” dialogue.

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CCP Ep. #118: Hungry Ghosts by OK Go

Today we find out what happens when Indi Power Pop goes electronic! However you choose to categorize them, the four-piece rock band OK Go is clearly dabbling into new areas with their latest album, Hungry Ghosts. Early in Crash Chords history, Matt had the priviledge of conducting an interview with OK Go’s drummer, Dan Konopka, while also reviewing their previous release, Of the Blue Colour of the Sky. For their new album however, we administer the unadulterated CCP treatment, so hop on board and share your own opinions! Following that, we shift to a more lighthearted topic: quite simply, the nature of “rocking out!” Can this primal urge ever mingle freely with the stoic world of critical analysis?

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CCP Ep. #113: True Blue by Madonna | Featuring Rashmi

A time warp has thrown us today, specifically to a time when “Pop Goddess” could only conjure up one name: Madonna. In welcoming today’s special guest Rashmi, an actress and musician in her own right, she has us take a look at Madonna’s breakthrough album, True Blue. And then we shift to Rashmi herself. Raised in Dallas, Texas, her music is a blend of country folk tinged with the pleasing lilts of traditional Indian ornamentation. Not only do we find out when her style took shape, but we get to hear it for ourselves — as do you! Ears open, everyone.

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CCP Ep. #106: Complete Surrender by Slow Club

Today’s band, the English guy-girl duo Slow Club, dips from modern Indie-Pop back to 60s/70s-era Motown for their new release, Complete Surrender. First we take a trip through the album, and then, as per the present case of genre-meshing, we take another trip a through a thesis: “Pop music looks toward the future while Indie looks to the past.” Any validity? That’s today’s question. (Opinions & comments encouraged.)

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CCP Ep. #103: Ghost Stories by Coldplay

Checking in on one of the mellowest pop rock bands of the last decade, we simmer down to discuss Coldplay’s latest LP, Ghost Stories. Afterwards, join us in a discussion on unconventional vocalists! More often than not, inflection and artistic flare will win over classical training. But in the world of rock, where a singer’s humanity is paramount, how much can an artist get away with? When does novelty fail in the face of effort?

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