This week I’m recommending first single from Tatiana DeMaria, the front woman for TAT who is working on a solo record. Her song “Too Much” is a fast paced pop/rock/punk mash up. I love the pace of this track. Gets me rockin’. Also I love Tatiana’s voice she is one of my all time favorite vocalists. She has such incredible range and power.
Make way for K.Flay, the indie pop & rap artist whose introspective approach to songwriting and blend of singing styles warrant some proper dissection. Tackling her most recent LP, Every Where Is Some Where, we invite you to join us as we inspect the highlights and mull over a variety of details. With plenty of praise and plenty of debate, where do you stand in the track-by-track? Also stick around for a discussion on the fine line between comfort and propaganda.
It’s time for everyone’s favorite (and perhaps only) virtual band! Although we’ve inspected the work of Damon Albarn before, this is our first chance to take on the Gorillaz, an unrelated ensemble of animated musicians — 2-D, Mudoc, Noodle, and Russel — who, as far as we’re concerned, are behind the music we’re hearing. On their latest album, Humanz, the Gorillaz introduce a bevy of artists, both old and new, to help with the project and take on its variety of subjects. Let’s follow along! And save room for a brief discussion on the subjectivity and flexibility of rating criteria where art is concerned.
You might know him from Something Corporate, or even from Jack’s Mannequin; well now, know him from his official solo project, Andrew McMahon in the Wilderness. As the artist appears to have settled on the new stage name (for now), today we’ll be looking at the second solo album released under that moniker, Zombies on Broadway. Afterwards, stick around for a discussion on how experiencing a live show or a studio album first can affect one another.
It’s day three of our five-day event series with today’s episode marking the last entry in our 2016 review season. We thought we’d end the year nice and light, dabbling into some comedy, some satire, and of course, some obnoxious pop music. Join us as we follow the rise and fall—and rise again—of protagonist Conner4Real in the summer comedy flick, Popstar: Never Stop Never Stopping. With the film and its original soundtrack both written by members of the The Lonely Island (who also star in the film), we’re keeping to our goal of incorporating more cross-media material… and by gum it doesn’t get more cross-media than that! Join us as we stroll through the film, wade through its myriad of cast members, and address the successes and pitfalls of both film & soundtrack as works of comedy. Enjoy!
Here’s a proposition: a three-hour long Mike Rugnetta extravaganza! In the wake of his appearance on ‘Crash Chords: Autographs’, in CCA Ep. #43, we’re pleased to re-introduce the one, the only, Mike Rugnetta for the full Crash Chords experience. Famed for hosting the PBS Idea Channel, a popular internet series that examines “the connections between pop culture, technology, and art”, Mike sits in for a 30 min. follow-up interview, during which we prod into some new features on the Idea Channel, Mike’s long-held interest in critical theory, the re-launch of his Reasonably Sound podcast, and fittingly, his own compositions. Finally, @ 0:29:20, we commence with the big tamale: quality time spent in a succulent critical analysis of Mike’s album of choice, Without My Enemy What Would I Do by Made in Heights. With Mike fully in his element (and the rest of us seated & caffeinated), all that’s missing is a dutiful audience! To join in, just chew on the album a bit, strap in, ponder, and play.
Today, Matt welcomes Jeff Baker, a pop singer/songwriter hailing from Brooklyn, NY. Jeff’s latest single—the “I Am” single—was recently released with an accompanying lyric video. In addition to YouTube, you can sample Jeff’s music on Soundcloud. With Matt, Jeff chats about his origins in pop punk and his decision to go solo. He also chats about the time he spent overseas in Thailand and how the music scene differs in that part of the world. And finally, he discusses his plan to release consecutive singles as opposed to a full LP. And so, with some added bonding over mutual favorite bands, here’s presenting Matt Storm and Jeff Baker.
We just wanna tell you how we’re feeling; gotta make you understand…. the power of analysis. As the title suggests, Rick Astley is 50! After taking an extended hiatus in order to raise a family, he’s finally back to celebrate his age and other fortunes in his new album, aptly titled 50. Join us for a breakdown of 50, and also for a hefty discussion [@ 1:36:40] on the ‘memification’ of music, comedy, and social media art. So please, don’t give us up, and don’t let us down… because we know the game, and yes, we’re gonna play it.
Kat Pace is a singer/songwriter and actress from Philadelphia, who lives and writes in New York City. With the release of her three-song EP ‘Survivor’ in June 2014, she is currently working on a full-length album, due out in Spring 2017. Below is an interview she did with Matt Storm that was intended for release on Crash Chords: Autographs, but was delayed due to technical issues. The audio, unfortunately, was irrecoverable, but a transcript was saved! Enjoy reading this detailed chat with Matt & Kat on the ins and outs of the music industry, her background, writing process, plans for the future, advice for up-and-coming musicians, and a healthy aside on Hamilton, show tunes in general, and other genre trailblazers.
This week, our project is an album called Stranger Things Have Happened by English singer/songwriter Clare Maguire—on the face of it, an album that’s split in tone, and potentially in theme. Can we wrestle our hearts with an album like this? We hope you will, because the gems are without a doubt, a reward in themselves. Partially influenced by jazz, lounge, soul, and dreampop, we encourage you to experience this album with us and join us in pondering its many distinctive flavors. Afterwards: film soundtracks and the power to save the film in question. A pipe dream? Are soundtracks tethered at the hip, or fiercely independent?