Today we’re exploring the junction point of indi artistry, hip hop, comedy, and candidness… namely the self-described “Rhyme Minister” from Bromsgrove, Mr. Dan Bull. Having cultivated a devoted online following, in part owed to file sharing culture, Dan Bull is known for penning delightful odes to games and other media, for his comedic twists on familiar subjects, and for his intimate manner of encapsulating his own life experiences. On his latest album, Hip Hop Hooray, Dan Bull tackles subjects cheerful, silly, grim, and dire, offering fodder for celebration and analysis alike. Join us as we peer into the mouth of this “vicious beast”, and as we briefly address the topics of file sharing and fan art at the top of the show.
The groundhog has seen its shadow… and in that shadow… lurks CORIMA. If you’ve never heard of the ‘Zeuhl’ genre, then—just for the moment—spare yourself from culling through the 11-album discography of Magma (the genre’s progenitor), and instead dive into Amaterasu, the third album by a vibrant and imaginative group based out of L.A. Taking after the jazz/prog leanings of its Zeuhl predecessors and the fully-enabled “anything goes” attitude of the RIO (Rock in Opposition) movement, Corima is all about fusion, yet also free of inhibition. The result: a two-piece, multi-movement concept work called Amaterasu. In this episode, we begin with an overview of Zeuhl before taking off on a roller coaster of an album analysis.
Time to put on your computer & electronic music caps. Fusing the instincts of two overseas composers, Beatrice Dillon & Rupert Clervaux, Two Changes (an album released through Paralaxe Editions) is a two-track experience like no other. From techno, to ambient, to industrial, to the jazz noir finishings of pocket trumpetist Eben Bull, Two Changes offers a little bit of everything with no shortage of spectacle, and occasionally, stupefaction. And so, after another pre-album preamble, concerning electronica and track length, @0:18:42 we explore and assess the inner-workings of Two Changes‘ only pieces, “The Same River Twice” and “A Different River Once.” Join along!
Feeling classy? We’ve got quite the episode in store for you today. First, we’re switching things up by placing our topic—a multi-pronged preamble for today’s album—before the analysis instead of after. As a grand introduction to Chambers by Chilly Gonzales, we properly thank Doug Ferguson of the Music A to Z Podcast for recommending it, we talk a bit about their podcast, a bit about Chilly himself, and for our topic we address our own experiences with classical music over the years and reflect on the nasty habit of classical “avoidance”. At last, once we’re all warmed up, starting approx. 20 mins. in we begin to tackle Chambers, an album of twelve bite-sized neo-Romantic works featuring Chilly at the piano accompanied by Hamberg’s Kaiser Quartett. So sit back, dive in, check out the Music A to Z Podcast (as well as Doug’s last request), and indulge in the vast multiverse that is music and those who love discussing it.
Welcome to our “official” inaugural episode of 2017! To kick off the year, we’re looking at a well-known pillar of the music industry: Sting and his twelfth solo album since departing The Police (and first solo rock album in more than a decade), 57th & 9th. In an outward and inward-looking album where Sting takes a hard look backwards and a hard look at his surroundings at the same time, how does 57th & 9th fare as a work of art? Press play and contribute! Also, @1:57:35, we turn in our New Year’s “homework”, assigned to us back in ep. #222. In a frenzied search for weird and wild forms of art, we discuss six music genres that appeal to us—or repel us—in style or concept, all in an attempt to stump our colleagues. What niche genres do you find appealing?
Well, it’s been one hell of a year, and one hell of a week! Today we bring you the last episode of our 5-day series, our annual broad look at a year’s worth of albums analyzed. These ‘year in review’ episodes represent our most cherished opportunity to shower additional praise, to re-analyze, to reiterate, and occasionally to rectify our past weekly instincts. Though we try our damnedest, it’s impossible to fully digest albums on a week-to-week basis, so we’re constantly re-examining. We’ll start off with our rating changes, head over to our category prizes, take on the ever-so-maligned booby prizes, and then of course share with you our top picks. We have high hopes for 2017, high hopes for music, and high hopes for all of you! Thank you for another great year and we hope to see you next week.
It’s time for that silly annual tradition of ours. See, although we do our very best to publish the tightest episodes we can muster, make no mistake: the magic wand of editing has had a generous hand in that. That being the case, for just one episode a year, let’s take a peek behind the curtain and gawk at the flubs, the blunders, the oversights, and the outright insanity. To thee we bare ourselves! Enjoy.
It’s day three of our five-day event series with today’s episode marking the last entry in our 2016 review season. We thought we’d end the year nice and light, dabbling into some comedy, some satire, and of course, some obnoxious pop music. Join us as we follow the rise and fall—and rise again—of protagonist Conner4Real in the summer comedy flick, Popstar: Never Stop Never Stopping. With the film and its original soundtrack both written by members of the The Lonely Island (who also star in the film), we’re keeping to our goal of incorporating more cross-media material… and by gum it doesn’t get more cross-media than that! Join us as we stroll through the film, wade through its myriad of cast members, and address the successes and pitfalls of both film & soundtrack as works of comedy. Enjoy!
A “prog” band named Progger — oy, now we’ve heard everything! Indeed, after hearing the Austin-based band’s latest project Scattering (an album that sprung from a collaboration with the band’s newest New York-based members) our horizons have been markedly broadened. Incorporating elements of jazz, prog, funk, and a hefty dose of name-your-poison, Scattering is no aperitif; it’s the full meal. So join us for an in-depth analysis of this gripping work and also for a brief preview on some New Year’s homework: the ultimate mystery genre game. Let’s dig deep and ring in 2017 with shock & awe.
Happy New Year from Crash Chords! Due in part to the holidays, but mostly to flu season, we took a short break and now it’s time to play catch up! It’s the race to Ep. #225 as we kick off the year with FIVE consecutive days of the Crash Chords Podcast. Today we commence with the first in the lineup by following through with our December guest’s own listener pick. Many thanks to Mike Rugnetta for spurring us to tackle the third signed album by Childish Gambino—that is, the stage name and alias for actor and comedian Donald Glover—euphorically titled “Awaken, My Love!” Come join us for an analysis of the album and also for a discussion on music suggestions that always seem to come with warnings and caveats.