CCP Ep. #113: True Blue by Madonna | Featuring Rashmi

A time warp has thrown us today, specifically to a time when “Pop Goddess” could only conjure up one name: Madonna. In welcoming today’s special guest Rashmi, an actress and musician in her own right, she has us take a look at Madonna’s breakthrough album, True Blue. And then we shift to Rashmi herself. Raised in Dallas, Texas, her music is a blend of country folk tinged with the pleasing lilts of traditional Indian ornamentation. Not only do we find out when her style took shape, but we get to hear it for ourselves — as do you! Ears open, everyone.

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Ep. #6 – Feat. Marian Call

This week Matt chats with the singer-songwriter from Juneau, Alaska — and Rennaissance woman of lyrical subjects — Marian Call. After the release of her newest record, Marian Call Sings the Classics Vol. 1, she is well on her way through her Autumn Tour from Portland to Portland. She’ll find herself in NYC on October 19th at 6pm, performing at Rockwood Music Hall at 196 Allen St. She can also be found on MC Frontalot’s new record Question Bedtime, in the song “Mornings Come and Go.” Today, she shares her thoughts on the process of making a new record, with various “nerdigressions” from comic books to Doctor Who.

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CCP Ep. #112: Songs of Innocence by U2

Analyzing a free album may seem a bit harsh, but as Groucho Marx said: “Art is art, isn’t it? Still, on the other hand, water is water. And east is east and west is west, and if you take cranberries and stew them like applesauce they taste much more like prunes than rhubarb does.” Case in point, we’re doing it anyway. The altruistic album, by U2, is called Songs of Innocence and is available to all (with an Apple ID). Then, a few thoughts on a curious term: “Anthemic Pop.” What’s wrong with feelin’ good all the time?

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CCP Ep. #111: This Is My Hand by My Brightest Diamond

Never at a loss for notes, Shara Worden of My Brightest Diamond is at it again, this time with a brazen tell-all album called This Is My Hand. Join us as we pick apart the nuances of this latest work in our weekly review. After this musical onslaught, we took some time to discuss the impact of “person” in an album. Whether invited to place oneself in someone else’s shoes, or to accept a foreign narrative, this simple literary choice guides our experience of the tale… but does it ever affect the intensity of the experience?

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Ep. #5 – Feat. Justin Doyle of ADAGE

Dipping into a slightly heavier rock scene and burgeoning talent, Matt shares his time this week with Justin Doyle of ADAGE. A relatively young band from Winston-Salem, their debut came as recently as August 19th, in the form of Defined, an EP that showcases what they have to offer the world of music. Vying for that coveted listenership (and a lump sum to boot), they’ll be performing in a Battle of the Bands concert at Ziggy’s Main Hall in Winston-Salem this October 10th. Hear about Justin’s musical upbringing, his thoughts on the EP, and even his love for cars — all here on Crash Chords: Autographs!

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CCP Ep. #110: A Vivid Memory by Set and Setting

If you like musical paint strokes, then you may like a group called Set and Setting, a post-rock band from Florida that’s all about the moods and impressions. This week we take their latest impression, ironically titled A Vivid Memory, and put it up for review. But don’t forget to stick around for the big question… How does one get famous?! This age-old question has plagued many an aspiring artist, especially those seeking validation for their work. Once we drop the walls of humility, the path is as uncertain as it ever was; still, hear us address the various paths that other artists have taken, while debating their success rates.

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3 Years Hollow Is Breaking Ground With The Cracks

The band 3 Years Hollow is just breaking into the mainstream rock scene. They have a lot to say, and they refuse to be ignored. They are hitting the scene hard with their debut LP, The Cracks, released through the well-known label, Imagen Records. The album features their singles, “Chemical Ride,” “Hungry”, and “For Life” (feat. Clint Lowery). The band hails from the Quad Cities, Iowa–Illinois, and is made up of lead vocalist, Jose Urquiza, guitarist Tony Reeves, guitarist and vocalist Neil Kuhlman, bassist Dex Digga, and drummer Chris Cushman. Even for a debut, this five-piece rock ensemble can get you going from the first riff.

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CCP Ep. #109: Everyday Robots by Damon Albarn

This week we explore the much-awaited solo project of Damon Albarn, the English singer-songwriter, producer, and multi-instrumentalist behind such projects as Gorillaz and Blur. His album is called Everyday Robots, and we’re breaking it down. Afterwards, we discuss the conflicts of passion and fluidity in songwriting, particularly with respect to concept albums. Often conceived from a singular inspiration and executed with a singular ambition, it’s easy for artists to overlook aspects of their work when a theme takes center-stage. Does this leave audiences wanting more or does it blow over with the more concept-minded clique?

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Ep. #4 – Feat. Coolzey

If you’ve never heard an interview from a gondola lift before, now’s your chance! The Indie rapper/rocker Coolzey took some time out of his sky-high excursions to speak with Matt about his current musical endeavors. Having released his latest album Hit Factory, Coolzey now also has two new music videos to promote: “Want It The Most” and “Glasses.” The latter features his fellow rapper and touring mate, Schaffer the Darklord, who accompanied him on the Fam Fiction Tour along with MegaRan and Fresh Kils & Uncle Fester. Listen in for discussions on nature, horror flicks, and of course for the gondola portion as this guest is surely taking interviews to new heights.

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CCP Ep. #108: They Want My Soul by Spoon

Raise your glasses and call a toast with today’s musical homage to silverware! (The reference is Spoon.) Having established themselves as a staple of the Alt Rock community, Spoon has released their eighth studio album, They Want My Soul, which we take on for this week’s review. As Alternative Rock often harbors some of the most diverse artists, we then take some time to discuss Alt as both a name and a movement. Is the genre merely an aggregate of misfits branded under a careless label, or has it in fact grown a definitive character of its own?

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