Today, Matt is joined by Carly Ritter, a country/folk singer-songwriter hailing from Los Angeles, California. With a self-titled debut now available on iTunes and Amazon, Carly Ritter chats with Matt about the time she’s currently spending in Nashville to hone her craft, and what she has come to learn from other songwriters. Hear her discuss the details of her songwriting process and where she pulls inspiration, all while stressing the importance of strong discipline when trying to learn anything with a creative mind. She also chats about the supportive nature of the independent creators community, and touches upon the works of bluegrass covers currently in the making.
Well, it’s happened. Crash Chords covers the topic of… DEPRESSION. But first, we look at the pain, the comedy, and the minor nuisances of the subject through the lens of today’s album, Haven’t Got the Blues (Yet) by stage veteran Loudon Wainwright III. This album is brought to you by our returning guest, Painless Parker. Practically a veteran in his own right, Painless helps us through the episode with some of his own aptly-focused tunes. So stick around for that and our post-album take on today’s much-maligned, and oft-avoided subject.
This week on Autographs, we bring you the one-on-one between Matt and the Dallas-based Country Rock artist, Erik Neff. Not long ago in Crash Chords history, Neff’s debut LP, At the End of the Day (released Nov. 10th), was featured in a written (and raving) record review titled “Subtle Revitalization” by writer and CCP co-host, Steve Nagel. To prod behind the art, Matt interviews Neff on how his sound has molded over the years, on his touring ambitions, and on the mutual benefits of having a music and modeling career. Also listen in for Neff’s take on covers, and finally on—you probably didn’t guess it—football!
Time for one of our favorite things: another cosmic ballet between traditional composition and pop songwriting. This week we find it in the band Arc Iris, fronted by the highly animated vocalist, Jocie Adams (formerly of the Low Anthem). With the help of her poetic flair, their self-titled debut packs a wallop. Let’s hope we do it justice. Also stick around for an interesting discussion on musical identity and personality, and whether they’re at all linked with staying power.
This week we check out one of the many side-projects of world-renowned bassist and Primus frontman, Les Claypool. This particular side-project is known as Duo de Twang, a union of Claypool and M.I.R.V. guitarist Bryan Kehoe. Their debut album (and our review): Four Foot Shack. Then join us in a discussion of a band’s “namesake” — that is, the thing we search for in our libraries. From a marketing and artistic standpoint, what does the name mean for a band’s collective members? And what does it mean when it changes?