CCP Ep. #143: Handwritten by Shawn Mendes

In revisiting the pop community, much hype has been bestowed to a 16-year-old Canadian artist who broke the record for youngest artist to debut in the top 25 of the Billboard Hot 100. Brought to the world’s attention through his successful Vine covers, Shawn Mendes and his debut album Handwritten promises to bolster his 6.5-second skills with a full-length production. Let’s hop in and see how those skills translate! Afterwards, some general thoughts on the impact of ‘age’ in music. From child prodigies to latent talents, can we quantify the effects that passing years have on artists’ abilities?

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CCP Ep. #142: Hand. Cannot. Erase. by Steven Wilson

Owing its concept to the life and death of Joyce Carol Vincent, the fourth solo album by prog giant Steven Wilson, Hand. Cannot. Erase., is a poignant excursion through isolation’s subtle yet crippling onset. Listen to the album yourself first, then—as always—let’s explore and analyze its finer points in long-form discussion and weigh them against the whole. Also, be sure to stick around for a riveting followup discussion on the nature of genre fusion. We’ve got some theories; let’s hear yours!

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Ep. #21 – Feat. Kyle Stevens of Kirby Krackle

Matt has sure taken a slice out of the nerdcore community, but today he sidesteps towards… “nerd rock!” by introducing Seattle-man Kyle Stevens of Kirby Krackle. Apart from Kyle’s roles as frontman, singer-songwriter, and guitarist for the band, Kyle can tack on “founder of the Charging Hippo Brewing Co.” to his résumé. Along with Kirby Krackle’s latest LP, Mutate, Baby!, the band has also ventured into the world of podcasting, with their series: The Kracklekast. On this podcast, however, you can hear Kyle discuss everything from his decision to pursue nerd rock, to Kyle & Matt’s initial meeting at the NY Comic Con, to a whole slew of complimentary digressions on comics, video games, and the Marvel Cinematic Universe. Enjoy!

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CCP Ep. #141: Nocturne by Wild Nothing | Featuring Devin Jackson Mullen of Anxious Kids Make Good People

Anxious Kids Make Good People (AKMGP): the acronym, the axiom, and the “-nym” are all coined by today’s guest, Devin Jackson Mullen, who writes & performs under the namesake. Straight from his career in sound design and the release of his latest EP, Radio Fire Flies, Devin joins our team to unveil the 2012 album Nocturne by Wild Nothing (the brainchild of Virginia-based artist Jack Tatum.) After Devin helps us break apart the album, we go on to break apart Devin! Figuratively, that is. For those who can’t wait, Devin’s interview begins at 1:25:37. For his three groovy surprises however, you’ll have to hunt.

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CCP Ep. #140: Kintsugi by Death Cab for Cutie

Prime your ears for the latest release by Death Cab for Cutie! A pop favorite for much of the millenium, Death Cab for Cutie has been known to their fans as the modern soul of Indi, and their frontman (singer/songwriter Ben Gibbard) as the purveyor of tear-jerkers. Let’s walk through their most recent project, Kintsugi. Then stick around for a discussion on time, place, and acoustics. Where do you get your most comprehensive listening done?

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Ep. #20 – Feat. Graham Elwood

This week we welcome special guest, Graham Elwood: comedian, documentarian, and podcast host. An influencial figure in the work of Crash Chords, Graham’s presence in the podcasting community is just as revered as his standup career, particularly as host of the Comedy Film Nerds podcast (co-hosted by Chris Mancini). He is also one of the creators of the podcast festival in L.A. called L.A. Podfest. Having released a documentary on his time performing for the troops in Afghanistan (called Laffghanistan), he is extending his interest in documentaries to a project called “Ear Buds”, a documentary about podcasting. Matt and Graham chat about his latest album, Palm Strike Dance Party (featuring a self-titled song written with former guest Mike Phirman), and about the many branches of the podcasting industry collectively changing the face of entertainment.

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CCP Ep. #139: Carrie & Lowell by Sufjan Stevens

“April is the cruellest month,” as T.S. Eliot put it. If rain and taxes weren’t proof enough, let’s tack on some death! Sufjan Stevens’ latest release, Carrie & Lowell, is not so much an expansion on his existing work as it is a trip down the bleak rabbit hole of life’s greatest mystery. With the untimely passing of his mother Carrie, Stevens drifts from the cutthroat realities of death’s aftermath to despair and bittersweet nostalgia. Join us as we join him on this harrowing yet preparatory journey. Afterwards, we address other methods of dealing with death. Seriously, don’t enjoy this episode too much!

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CCP Ep. #138: American Beauty/American Psycho by Fall Out Boy

Courtesy of our fan, Kristin V., today we investigate American Beauty/American Psycho, the latest release by the reunited pop giants, Fall Out Boy. However we might have approached this band in the past, let’s take our analysis one note at a time. Aftewards the review, stick around for… “The Great Cliché Debate”! Join us as we cite our darkest terrors in modern music and then duke it out! (Spoilers: we all lose.) Tell us about your most feared clichés!

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Ep. #19 – Feat. YTCracker

For today’s episode, Matt confronts the seasoned nerdcore talent of YTCracker. A humble artist with big ambitions, YTCracker’s extensive discography has brought him to his latest release, Introducing Neals, a narrative about a not-too-distant future where web security and piracy prevention have become privatized. A chat on the origins of this musical concept reveals further plans of a possible film adaptation. Also hear Matt and YTCracker discuss the importance of sacrifice when making art, and the need to decompress. With some final jibber-jabber on League of Legends, dive into this jam-packed discussion!

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CCP Ep. #137: Strangers to Ourselves by Modest Mouse

The year of hiatuses continues! If you remember Modest Mouse, then you might be wondering where they’ve been lately. Indeed, it’s been eight years since their last release, but they have returned in a big way with their newest curiosity, Strangers to Ourselves. After we pick apart the album, stick around for a brief chat on the “anytime band.” What elusive appeal keeps a band forever bumping around our comfort playlists?

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